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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / eliza grey

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Sir George Grey

Nothing black and white about the Greys

It's Complicated

Marriage: a prolonged disaster

The Assumption of Virginity, 2014 by Xanthe Dobbie, video: 1 minute

The Assumption of Virginity, 2014

by Xanthe Dobbie

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Finalist, MDPA 2014

An Arctic Time Signature

by Devika Bilimoira

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Finalist, MDPA 2015

Thilin-Thilin Gooragall Nyajaringil Garnkiny-nu (white gum tree, mother for the moon), 2018 by Shirley Purdie

Storytelling

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The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.

Gordon Darling Hall, National Portrait Gallery

Architecture

Natural light and human proportions – the design by Johnson Pilton Walker

Adams Apple, 2013 by Petrina Hicks

Alienation

More about In the flesh

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

Equation of a life - a portrait of Professor Derek Denton

Equation of a life – a portrait of Derek Denton

9 September 2016

Archived media releases 2016

The National Portrait Gallery, has welcomed the newest portrait commission of Emeritus Professor Derek Denton AC by Evert Ploeg.

Jude Rae, 2016 by Mark Mohell

Jude Rae

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Jude Rae’s high reputation rests on her austere, cerebral still lifes of gas canisters, electric jugs and jars, which she groups and rearranges for paintings that catch their difficult curves and reflections. Her self-portrait’s likewise thoughtfully composed.

Keep the balance, 2010 by Eko Nugroho

Eko Nugroho

Born and raised in Yogyakarta, Eko Nugroho (b. 1977) entered the art scene at the height of Reformasi.

Goollabal (Rainbow Serpent), 2018 by Shirley Purdie

Memories

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The second row of paintings recall stories relating to specific sites, experiences and activities.

Fiona McMonagle, 2016 by Mark Mohell

Fiona McMonagle

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Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it.

On the wall – Guangzhou (II), 2002 by Weng Fen

Exhibition themes

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The four main themes of the exhibition: About face, Body politic, Skin deep, and Self reflex.

Ladki number 1, 2001 by Hema Upadhyay

Hema Upadhyay

by Amrita Gupta Singh

Hema Upadhyay was born in Baroda in 1972 and moved to in Mumbai in 1998. Incorporating painting, installation, sculpture and printmaking, Upadhyay’s work often addresses issues related to migration, especially the experiences of those living in urban communities.

Ken Done, 2016 by Mark Mohell

Ken Done

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With a mum who was married to a tradie, you’d think it a fair chance that the baby Jesus would have grown up with a dog in the house.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

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Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

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Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency